Johnny Rebel pulls the "I'm not racist but..." card

Louisiana racist country musician and occasional foil on Howard Stern's show, C.J. "Johnny Rebel" Trayan  unsurprisingly "black culture" in this 2001 interview with the white power radio show hosted at the white power Chimpout site . What I'm curious about here is:
1) How these attitudes have disseminated through his music and the more general attitude of the white power movement.
2) The strange contradictions both he and the host have when comes to racism. Both seem to only define racism as "someone who activiely promoted hate and violence towards another race." The host says "now you're a racist if there's even things about another culture that you're uncomfortable with." However, Chimpout's sister site Chimptube calls itself: "the multimedia solution for all your niggerbashing entertainment needs." Yeesh!

This link to the interview (2nd one above) includes many segrationalist songs from the late 1800s and early 1900s I wrote about Trayan in my 2008 paper about Extreme Metal and Extreme Politics  which culled the history of a variety of racist and other controversial musics before and during the history of Heavy Metal.

Trayan/Rebel's been making his racist country tunes since 1966 when he released his first singles:
"Lookin' For a Handout / Kajun Klux Klan" and followed that up the same year with "Nigger Hatin' Me / Who Likes A Nigger?" Musically and lyrically this cavalcade of racist crap (which you can hear in the 2nd link above) – is  shocking yet also unremarkably redundant. To put it bluntly, this shit gets old real quick.

Going back  to the interview, Trayan/Rebel claims "they (blacks) deserve all the same rights that Hispanics enjoy, Caucasians enjoy, Asians enjoy, I certainly don't think of them as less than deserving of those rights." On the other hand, he goes on to complain that "they (blacks) shouldn't be able to impose their goddamn crap on us". OK, the host's generalizing makes a little sense "their are aspects of (their culture) that quite frankly are destructive and negative". Although, this is also like saying trailer trash who beat their wives and get fat as an ox off of BBQ and tankards of Coca-Cola is part of "white culture". Strangely, Trayan/Rebel makes the correlation between whites accepting popular black music, the Civil Rights bill and current tolerance for their place in society. "We were the son of bitches that started on this...we started listening to Rhythm and Blues - that was black music...we started listening to the black music and then they figured that everything else could come along - and it did. It eventually it led to the Civil Rights Bill and eventually the Civil Rights Bill led to more and more - and a lotta your whites out there that think blacks are just another person - no different color, no different any thing...and I won't teach my kids that."

He goes on to say "I'm not a racist - I wanna be with my kind" then follows with "the two things I hate is the attitude towards the white man 'cause they think we owe 'em something ...and next they wanna marry fuckin' white people!...That irritates the livin' shit outta me! When I see a black guy with a white girl that turns my stomach." Then finishes with "why do they make so many kids?...they're just a piss poor race." Rebel's songs have been posted all over YouTube and naturally across white-power forums like Stormfront and German-based Thiazi. Additionally, Rebel's music has been sold by white-power record labels such as Resistance Records and Micetrap Distribution. Contrary to rumor, Johnny Rebel's true identity as noted earlier is CJ Trayan and NOT the famous outlaw country artist, David Allan Coe.